Bildungsromans
A Little Girl in Old Chicago
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A Little Girl in Old Pittsburg
"[...] Grandfather Bradin kissed his little girl, though he was almost afraid to believe the good news. Three years Bernard Carrick had been following the fortunes of war and many a dark day had intervened. "Oh, that won't end the war. There's Charleston and New York. But Cornwallis! I must go out and find where the news came from." "Grandad don't believe it!" There was still a look of doubt in her eyes.[...]".
A Little Girl in Old St. Louis
Orphaned and abandoned, young Renee de Longueville has been passed between relatives and family friends. Traveling from France to the new world, she meets her grouchy grandfather, who gives her a less than pleasant welcome. But even though it grew out of tragic circumstances, Renee cherishes her trip to the American city of St. Louis and drinks in the bustling burg's many charms.
A Portrait of the Artist as a Young Man
'Once upon a time and a very good time it was there was a moocow coming down along the road and this moocow that was coming down along the road met a nicens little boy named baby tuckoo ' So begins one of the most significant literary works of the twentieth century, and one of the most innovative. Its originality shocked contemporary readers on its publication in 1916 who found its treating of the minutiae of daily life indecorous, and its central character unappealing. Was it art orwas it filth? The novel charts the intellectual, moral, and sexual development of Stephen Dedalus, from his childhood listening to his father's stories through his schooldays and adolescence to the brink of adulthood and independence, and his awakening as an artist. Growing up in a Catholic family in Dublin in the final years of the nineteenth century, Stephen's consciousness is forged by Irish history and politics, by Catholicism and culture, language and art. Stephen's story mirrors that of Joyce himself, and the novel is both startlingly realistic and brilliantly crafted. For this edition Jeri Johnson, editor of the acclaimed Ulysses 1922 text, has written an introduction and notes which together provide a comprehensive and illuminating appreciation of Joyce's artistry.
Andy Gordon, Or, the Fortunes of a Young Janitor
Horatio Alger Jr. (1832-1899) was a prolific 19th-century American author, best known for his many young-adult fiction novels about impoverished boys and their rise from humble backgrounds to lives of middle-class security and comfort through hard work, determination, courage, and honesty. His writings were characterized by the "rags to riches" narrative, which had a formative effect on America during the Gilded Age. Essentially, all of Alger's juvenile novels share the same theme, known as the "Horatio Alger myth" a teenage boy works hard to escape poverty. Often though, it is not the hard work itself that rescues the boy from his fate, but rather some extraordinary act of bravery or honesty. The boy might return a large sum of lost money or rescue someone from an overturned carriage. This brings the boy , and his plight , to the attention of a wealthy individual. Alger secured his literary niche in 1868 with the publication of his fourth book, Ragged Dick, the story of a poor bootblack's rise to middle-class respectability. This novel was a huge success. His many books that followed were essentially variations on Ragged Dick and featured casts of stock characters: the valiant hard-working, honest youth, the noble mysterious stranger, the snobbish youth, and the evil, greedy squire.
Anne of Green Gables
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Bernard Brooks’ Adventures: The Experiences of a Plucky Boy
1903. Alger is the original rags-to-riches guy, often credited with inventing the strive-and-succeed spirit that inspired boys to work hard and advance themselves in order to achieve the American Dream. This theme resonates throughout his numerous writings. In this book Alger tells the tale of Bernard Brooks, a fifteen year old orphan, who is sent to Ezekiel Snowdon's rural boarding school by his New York guardian, Cornelius McCracken, who has secretly appropriated money from the young man. To escape being beaten Bernard runs away from the school. After leaving the school he meets many characters along his travels who he helps with their troubles. Bernard attempts a reconciliation with his guardian, but is rebuffed. Now he must overcome the obstacles thrown in his path by his guardian and others to reclaim what is rightly his. See other titles by this author available from Kessinger Publishing.
Bob Burton; Or, the Young Ranchman of the Missouri .
Horatio Alger Jr. January 13, 1832 - July 18, 1899) was an American writer, best known for his many young adult novels about impoverished boys and their rise from humble backgrounds to lives of middle-class security and comfort through hard work, determination, courage, and honesty. His writings were characterized by the "rags-to-riches" narrative, which had a formative effect on the United States during the Gilded Age.All of Alger's juvenile novels share essentially the same theme, known as the "Horatio Alger myth" a teenage boy works hard to escape poverty. Often it is not hard work that rescues the boy from his fate but rather some extraordinary act of bravery or honesty. The boy might return a large sum of lost money or rescue someone from an overturned carriage. This brings the boy-and his plight-to the attention of a wealthy individual.Alger secured his literary niche in 1868 with the publication of his fourth book, Ragged Dick, the story of a poor bootblack's rise to middle-class respectability. This novel was a huge success. His many books that followed were essentially variations on Ragged Dick and featured casts of stock characters: the valiant hard-working, honest youth, the noble mysterious stranger, the snobbish youth, and the evil, greedy squire.In the 1870s, Alger's fiction was growing stale. His publisher suggested he tour the American West for fresh material to incorporate into his fiction. Alger took a trip to California, but the trip had little effect on his writing: he remained mired in the tired theme of "poor boy makes good." The backdrops of these novels, however, became the American West rather than the urban environments of the northeastern United States.
Daisy
Susan Bogert Warner (1819-85) was an American evangelical writer of religious fiction, children's fiction, and theological works who used the pen-name Elizabeth Wetherell. She is best remembered for her novel The Wide, Wide World (1850), often acclaimed as America's first bestseller, and together with her younger sister Anna, who sometimes used the pseudonym Amy Lothrop, wrote a series of semi-religious novels which had extraordinary sales. Both sisters became devout Christians in the late 1830s and after their conversion became confirmed members of the Mercer Street Presbyterian Church, although in later life Susan was drawn into Methodist circles. In addition to their fiction writing, the sisters wrote children's Christian songs and held Bible studies for the West Point cadets. Set just before the outbreak of the Civil War, Daisy is the first part of a trilogy which also includes Melbourne House and Daisy in the Field.
David Copperfield (Illustrated)
The story traces the life of David Copperfield from childhood to maturity. David is born in Blunderstone, Suffolk, near Great Yarmouth, Norfolk, England, in 1820, six months after the death of his father. David spends his early years with his mother and their housekeeper, Peggotty. When he is seven years old his mother marries Edward Murdstone. David is given good reason to dislike his stepfather and has similar feelings for Murdstone's sister Jane, who moves into the house soon afterwards. Murdstone attempts to thrash David for falling behind in his studies. David bites him and soon afterwards is sent away to a boarding school, Salem House, with a ruthless headmaster, Mr. Creakle. There he befriends James Steerforth and Tommy Traddles.