Showing 121–150 of 163 results

The Birth of Tragedy, or Hellenism and Pessimism

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Christian Mythology

That Christianity, as to-day presented by the orthodox, is far different from the Christianity promulgated by the early fathers, few are so blinded as to doubt. Christianity, like all other religions, came not into the world full-grown, but from the simple conceptions of its early followers became gradually elaborated by the introduction of pagan forms and customs until it supplanted its early rivals and gave its adherents a compact and solid theology not very different from that of its predecessors. However, before considering the genealogy of Christianity, or its heirlooms from paganism, let us turn our attention to what were presumably the beginnings of the religious views of mankind. Probably the true source of that human characteristic which is defined as the religious instinct and which is supposed to be an elevating and moral agent, is to be found in the superstition which originated in fear of the unknown. The first ages of human life were so devoted to the animal needs that little attention was given to anything else, but later the craving for protection and help from some power greater than himself led primitive man to look about him for something to sustain and aid him in his struggle for existence. Surrounded by natural phenomena of which he could give no explanation satisfactory to his experience, he came to the conclusion that he was in an environment permeated with bodiless intelligences who governed these matters by supernatural power. Awed to fear by the inexplicable workings of nature, he sought to propitiate the spiritual agencies by bribes, and he did all things for them which he thought would be agreeable to them to keep them in good-natured interest or indifference toward him. And, naturally, he considered that what would be pleasing to himself would be pleasing to them. Therefore, his offerings and his conduct towards these spirits were such as he would have desired shown toward himself. Death and its imitation, sleep, being the greatest mysteries confronting him, he naturally began to consider the spirits of the dead, with whom he seemed to have intercourse in his dreams, as being influential factors in his career; and thus originated ancestor-worship with its highly-developed rites and sacrifices, which in a modified form still exists in the Roman church in the practice of reading masses for the souls of the dead. At the same time, noticing the great benefits derived from the warmth of the sun, to whose rays he owed his subsistence and whose glorious and awful presence was constantly before him, man began to feel grateful to that mighty power which was the source of all his welfare, and, appreciating that all terrestrial life depended upon it, he came to recognize it as the great creative power.

The Classic Myths in English Literature and in Art: Based Originally on Bulfinch’s Age of Fable (1855) Accompanied by an Interpretative and Illustrative Commentary, by Charles Mills Gayley New Ed., Rev. And Enl

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Collected Poems of Sara Teasdale: Sonnets to Duse and Other Poems, Helen of Troy and Other Poems, Rivers to the Sea, Love Songs, and Flame and Sha

This sizable anthology contains the finest poems of Sara Teasdale, one of America's best-loved poets and lyricists, combined from a total of five earlier collections. A poorly child, the young Sara was taught at home in St. Louis, Missouri, until she was aged nine and deemed well enough to be educated in school. An introvert, her childhood home and quarters were designed to ensure privacy and solitude. By the time she was in her mid-teens, Sara had demonstrated an affinity for English verse and soon began to write her earliest poems. The five collections which comprise this anthology were published between 1907 and 1920; these were the years in which Sara Teasdale, as a young woman brimming with creative talent, authored her finest works. She won prizes for her poetry, and had soon gained national renown with her collections proving to be popular and much-endeared to the American public.

The Collected Works of W.B. Yeats Vol. XII: John Sherman and Dhoya

First published in 1891, John Sherman and Dhoya was Yeats's third separate publication. The stories were revised and reprinted in the 1908 Collected Works in Verse and Prose but not published again in Yeats's lifetime.John Sherman, Yeats's only completed attempt at realistic fiction, details the title character's dilemma: He must choose between life in London and marriage to Margaret Leland, an English girl, and life in Ireland and marriage to a childhood sweetheart, Mary Carton. In addition to containing numerous autobiographical elements (for instance, the town of Ballah is modeled on Yeats's Sligo), the novelette treats many of Yeats's persistent themes, such as the debate between nationality and cosmopolitanism and the conflict between what he would later call the Self and the Anti-Self. In the end, Sherman reaffirms his Irish roots, and Margaret Leland's affections are transferred to Sherman's friend, the Reverend William Howard.Dhoya, a mythological tale set in the remote past, depicts a liasion between a mortal and a fairy, a motif that Yeats used in many other works. Describing the inevitable conflict between a world of perfection and the mortal world, the short story suggests that "only the changing, and moody, and angry, and weary can love."Well received by most contemporary reviewers, John Sherman and Dhoya are important both as works of fiction and as indications of the fundamental continuity of subject and theme in Yeats's career. This edition offers an accurate text, an introduction, and explanatory notes.

The Dawn of History: An Introduction to Pre-Historic Study

"The Dawn of History: An Introduction to Pre-Historic Study" by C. F. Keary. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten?or yet undiscovered gems?of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

The Lyrical Dramas of Aeschylus, From the Greek, Translated Into English Verse by John Stuart Blackie;

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Nibelungenlied

A story of guile, treachery, loyalty and desperate courage This great German epic poem of murder and revenge recounts with particular strength and directness the progress of Siegfried's love for the peerless Kriemhild, the wedding of Gunther - her brother - and Brunhild, the quarrel between the two queens, Hagen's treacherous murder of Siegfried, and Kriemhild's eventual triumph. Composed nearly eight hundred years ago by an unnamed poet, the Nibelungenlied is the principal literary expression of those heroic legends of which Richard Wagner made such free use in The Ring. A. T. Hatto's translation transforms an old text into a story as readable and exciting as Homer's Iliad. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The Prose Edda: Tales From Norse Mythology

Prose Edda is a work without predecessor or parallel. It was designed as a handbook for poets to compose in the style of the skalds of the Viking ages. It is an exposition of the rule of poetic diction with many examples, applications, and retellings of myths and legends. Snorri Sturluson feared that the traditional techniques of Norse poetics, the pagan kennings, and the allusions to mythology would be forgotten with the introduction of new verse forms from Europe. The present selection includes the whole of Gylfaginning (The deluding of Gylfi) - a guide to mythology that forms one of the great storybooks of the Middle Ages - and the longer heroic tales and legends of Skaldskaparmal (Poetic diction). Snorri Sturluson was a master storyteller, and this translation in modern idiom of the inimitable tales of the gods and heroes of the Scandinavian peoples brings them to life again. Iceland's most versatile literary genius, Snorri Sturluson (1179-1241) wrote about poetry, mythology, and the lives of Norse kings. His books include Heimskringla Saga, Egil's Saga, and Saint Olaf's Saga, . He was born in western Iceland, the son of a great chieftain. Early in his career, he won a reputation at home and in Norway for his poetic talents.

The Religion of Ancient Scandinavia

"The Religion of Ancient Scandinavia" by Sir William A. Craigie. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten?or yet undiscovered gems?of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.