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Paradise in the Waste Land

"Jeremiah Webster's brilliant Introduction leaves no doubt about Eliot's relevance for a new generation of readers." -Lee Oser, author of T.S. Eliot and American Poetry and The Ethics of Modernism: Moral Ideas in Yeats, Eliot, Joyce, Woolf and Beckett Dr Webster's introduction offers compelling reasons for experienced readers to revisit Eliot, and powerful incentives for new readers to explore the landscape of this immeasurably influential artist. -Dr. E Victor Bobb, Whitworth University . . . Eliot's poetry deserves a new readership. As the United States continues to seek departed nymphs through the incantations of technology, as moral impotence becomes the norm, the jeremiad voice of The Waste Land is a much needed corrective; its pessimism may in fact be the best prescription for our time. Eliot's critique of Victorian decay, of the bankruptcy of empire, "Falling towers / Jerusalem Athens Alexandria / Vienna London / Unreal," is a necessary rejoinder for a generation still trying to maintain a Post-WWII "American Dream." As prosperity becomes increasingly mirage-like in the Twenty First Century, as decadence begets debt, as shalom is pursued through duplicitous governance and predator drones, the poem's final lamentation, "Shantih, Shantih, Shantih," is an apt benediction for our age. To survey this "heap of broken images" as Eliot so courageously does, is to recognize that all is not well, that unless there is revelation, "the sound of water over a rock," unless we are able to answer, "Who is the third who walks always beside you?," there is little reason for hope. -From the Introduction by Jeremiah Webster Wiseblood Books is a publishing line particularly favorable toward works of fiction, poetry, and philosophy that render truths with what Flannery O'Connor called an unyielding "realism of distances." Such works find redemption in uncanny places and people; wrestle us from the tyranny of boredom; mock the pretensions of respectability; engage the hidden mysteries of the human heart, be they sources of either violence or courage; articulate faith and doubt in their incarnate complexity; dare an unflinching gaze at human beings as "political animals"; and suffer through this world's trials without forfeiting hope. Visit us at www.wisebloodbooks.com We are wide-eyed for new epiphanies of beauty.

The Poems and Prose Poems of Charles Baudelaire With an Introductory Preface by James Huneker

"The Poems and Prose Poems of Charles Baudelaire with an Introductory Preface by James Huneker" by Charles Baudelaire. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten?or yet undiscovered gems?of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

The Prophet

'The Prophet', by Kahlil Gibran (1883 - 1931) is a book composed of twenty-six poetic essays. Continually in print since its publication in 1923, its ongoing popularity is a continuation of the interest generated by the American counterculture of the 1960s and the New Age movement. His language has a breath-taking beauty. Before returning to his birthplace, Almustafa, the 'prophet', is asked for guidance by the people of Orphalese. His words, redolent with love and understanding, call for universal unity, and affirm Gibran's certainty of the correlated nature of all existence, and of reincarnation. 'The Prophet' has never lost its immediate appeal and has become a ubiquitous touchstone of spiritual literature. AUTHOR: Born in the town of Bsharri in the north of modern-day Lebanon (then part of Mount Lebanon Mutasarrifate, Ottoman Empire), as a young man he immigrated with his family to the United States, where he studied art and began his literary career, writing in both English and Arabic. In the Arab world, Gibran is regarded as a literary and political rebel. His romantic style was at the heart of a renaissance in modern Arabic literature, especially prose poetry, breaking away from the classical school. In Lebanon, he is still celebrated as a literary hero. He is chiefly known in the English-speaking world for his 1923 book 'The Prophet', an early example of inspirational fiction including a series of philosophical essays written in poetic English prose. The book sold well despite a cool critical reception, gaining popularity in the 1930s and again especially in the 1960s counterculture. Gibran is the third best-selling poet of all time, behind Shakespeare and Laozi.