Socrates
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Alcibiades I/ Alcibiades Ii
The First Alcibiades or is a dialogue featuring Alcibiades in conversation with Socrates. It is ascribed to Plato, The Second Alcibiades has Socrates attempting to persuade Alcibiades that it is unsafe for him to pray to the gods if he does not know whether what he prays for is actually good or bad, In the preface Alcibiades is described as an ambitious young man who is eager to enter public life. He is extremely proud of his good looks, noble birth, many friends, possessions and his connection to Pericles, the leader of the Athenian state. Alcibiades has many admirers but they have all run away, afraid of his coldness. Socrates was the first of his admirers but he has not spoken to him for many years. Now the older man tries to help the youth with his questions before Alcibiades presents himself in front of the Athenian assembly. For the rest of the dialogue Socrates explains the many reasons why Alcibiades needs him. By the end of Alcibiades I, the youth is much persuaded by Socrates' reasoning, and accepts him as his mentor.The first topic they enter is the essence of politics - war and peace. Socrates claims that people should fight on just grounds, but he doubts that Alcibiades has any knowledge about justice. Prodded by Socrates' questioning, Alcibiades admits that he has never learned the nature of justice from a master nor has discovered it by himself.Alcibiades suggests that politics is not about justice but expediency and the two principles could be opposed. Socrates persuades him that he is mistaken, and there is no expediency without justice. The humiliated youth concedes that he knows nothing about politics.Later Alcibiades says that he is not concerned about his ignorance because all the other Athenian politicians are ignorant. Socrates reminds him that his true rivals are the kings of Sparta and Persia. He delivers a long lecture about the careful education, glorious might and unparalleled richness of these foreign rulers. Alcibiades gets cold feet which was exactly the purpose of Socrates' speech.After this interlude the dialogue proceeds with further questioning about the rules of society. Socrates points to the many contradictions in Alcibiades' thoughts. Later they agree that man has to follow the advice of the famous Delphic phrase: gn?thi seaut?n meaning know thyself. They discuss that the "ruling principle" of man is not the body but the soul. Somebody's true lover loves his soul, while the lover of the body flies as soon as the youth fades. With this Socrates proves that he is the only true lover of Alcibiades. "From this day forward, I must and will follow you as you have followed me; I will be the disciple, and you shall be my master", proclaims the youth. Together they will work on to improve Alcibiades' character because only the virtuous has the right to govern. Tyrannical power should not be the aim of individuals but people accept to be commanded by a superior.
Alcibiades I/ Alcibiades Ii
The First Alcibiades or is a dialogue featuring Alcibiades in conversation with Socrates. It is ascribed to Plato, The Second Alcibiades has Socrates attempting to persuade Alcibiades that it is unsafe for him to pray to the gods if he does not know whether what he prays for is actually good or bad, In the preface Alcibiades is described as an ambitious young man who is eager to enter public life. He is extremely proud of his good looks, noble birth, many friends, possessions and his connection to Pericles, the leader of the Athenian state. Alcibiades has many admirers but they have all run away, afraid of his coldness. Socrates was the first of his admirers but he has not spoken to him for many years. Now the older man tries to help the youth with his questions before Alcibiades presents himself in front of the Athenian assembly. For the rest of the dialogue Socrates explains the many reasons why Alcibiades needs him. By the end of Alcibiades I, the youth is much persuaded by Socrates' reasoning, and accepts him as his mentor.The first topic they enter is the essence of politics - war and peace. Socrates claims that people should fight on just grounds, but he doubts that Alcibiades has any knowledge about justice. Prodded by Socrates' questioning, Alcibiades admits that he has never learned the nature of justice from a master nor has discovered it by himself.Alcibiades suggests that politics is not about justice but expediency and the two principles could be opposed. Socrates persuades him that he is mistaken, and there is no expediency without justice. The humiliated youth concedes that he knows nothing about politics.Later Alcibiades says that he is not concerned about his ignorance because all the other Athenian politicians are ignorant. Socrates reminds him that his true rivals are the kings of Sparta and Persia. He delivers a long lecture about the careful education, glorious might and unparalleled richness of these foreign rulers. Alcibiades gets cold feet which was exactly the purpose of Socrates' speech.After this interlude the dialogue proceeds with further questioning about the rules of society. Socrates points to the many contradictions in Alcibiades' thoughts. Later they agree that man has to follow the advice of the famous Delphic phrase: gn?thi seaut?n meaning know thyself. They discuss that the "ruling principle" of man is not the body but the soul. Somebody's true lover loves his soul, while the lover of the body flies as soon as the youth fades. With this Socrates proves that he is the only true lover of Alcibiades. "From this day forward, I must and will follow you as you have followed me; I will be the disciple, and you shall be my master", proclaims the youth. Together they will work on to improve Alcibiades' character because only the virtuous has the right to govern. Tyrannical power should not be the aim of individuals but people accept to be commanded by a superior.
Apology
Apology is Plato's version of the speech given by Socrates as he defended himself in 399 BC against the charges of "corrupting the young, and by not believing in the gods in whom the city believes, but in other daimonia that are novel." Socrates begins by telling the jury that their minds were poisoned by his enemies when they were young and impressionable. He says his reputation for sophistry comes from his enemies, all of whom are envious of him, and malicious. He says they must remain nameless, except for Aristophanes, the comic poet. He later answers the charge that he has corrupted the young by arguing that deliberate corruption is an incoherent idea. Socrates says that all these false accusations began with his obedience to the oracle at Delphi. He tells how Chaerephon went to the Oracle at Delphi, to ask if anyone was wiser than Socrates. When Chaerephon reported to Socrates that the god told him there is none wiser, Socrates took this as a riddle. He himself knew that he had no wisdom "great or small" but that he also knew that it is against the nature of the gods to lie. Socrates then went on a "divine mission" to solve the paradox (that an ignorant man could also be the wisest of all men) and to clarify the meaning of the Oracles' words. He systematically interrogated the politicians, poets and craftsmen. Socrates determined that the politicians were imposters, and the poets did not understand even their own poetry, like prophets and seers who do not understand what they say. Craftsmen proved to be pretentious too, and Socrates says that he saw himself as a spokesman for the oracle (23e). He asked himself whether he would rather be an impostor like the people he spoke to, or be himself. Socrates tells the jury that he would rather be himself than anyone else.
Four Phases of Morals: Socrates, Aristotle, Christianity, Utilitarianism
"Four Phases of Morals: Socrates, Aristotle, Christianity, Utilitarianism" by John Stuart Blackie. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten?or yet undiscovered gems?of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Ion, Hippias Minor, Laches, Protagoras
R.E. Allen's superb new translations of four Socratic dialogues--Ion, Hippias Minor, Laches, and Protagoras--bring these classic texts to life for modern readers. Allen introduces and comments on the dialogues in an accessible way, inviting the reader to reexamine the issues continually raised in Plato's works. In his detailed commentary, Allen closely examines the major themes and central arguments of each dialogue, with particular emphasis on Protagoras. He clarifies each of Plato's arguments and its refutation; places the themes in historical perspective; ties each theme to interpretations of rival translations; and links the philosopher's thought to trends in late modern philosophy. Topics discussed include: whether virtue is an art, whether wisdom and courage are logically equivalent, whether virtue is knowledge, and whether to know the good is to do it. Allen connects his discussion of these issues to the Benthamite tradition of hedonism and utilitarianism and to the ethical theories of Mill, Sidgwick, Moore, and Freud.
Memorabilia (Classic Reprint)
Excerpt from Memorabilia This edition of the Memorabilia is based upon the sixth (ger man) edition of Ludwig Breitenbach's Xenophons Memorabilien, revised by Dr. Rudolf Mucke, Oberlehrer in the Konigliche K'losterschule at Ilfeld; Berlin, 1889. The preparation of this book for the College Series was origi nally undertaken by Professor William Goodell Frost, of Oberlin College; but on his assuming the presidency of Berea College, Kentucky, the present editor was requested, with the cordial concurrence of President Frost, to undertake the work. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Meno
This volume contains new translations of two dialogues of Plato, the Protagoras and the Meno, together with explanatory notes and substantial interpretive essays. Robert C. Bartlett's translations are as literal as is compatible with sound English style and take into account important textual variations. Because the interpretive essays both sketch the general outlines of the dialogues and take up specific theoretical or philosophic difficulties, they will be of interest not only to those reading the dialogues for the first time but also to those already familiar with them. The Protagoras and the Meno are linked by the attention each pays to the idea of virtue: the latter dialogue focuses on the fundamental Socratic question "What is virtue?," the former on the specific virtue of courage, especially in its relation to wisdom. An appendix contains a short extract from Xenophon's Anabasis of Cyrus that vividly portrays the figure of Meno.
Parmenides
"Gill's and Ryan's Parmenides is, simply, superb: the Introduction, more than a hundred pages long, is transparently clear, takes the reader meticulously through the arguments, avoids perverseness, and still manages to make sense of the dialogue as a whole; there is a fine selective bibliography; and those parts of the translation I have looked at in detail suggest that it too is very good indeed." ,Christopher Rowe, Phronesis
Phaedrus
Phaedrus is widely recognized as one of Plato's most profound and beautiful works. It takes the form of a dialogue between Socrates and Phaedrus and its ostensible subject is love, especially homoerotic love. This new translation is accompanied by an introduction, further reading, and full notes on the text and translation that discuss the structure of the dialogue and elucidate issues that might puzzle the modern reader.
Plato: The Apology of Socrates and Xenophon: The Apology of Socrates
In 399 BC Socrates was prosecuted, convicted, sentenced to death and executed. These events were the culmination of a long philosophical career, a career in which, without writing a word, he established himself as the figure whom all philosophers of the next few generations wished to follow. The Apologies (or Defence Speeches) by Plato and Xenophon are rival accounts of how, at his trial, Socrates defended himself and his philosophy. This edition brings together both Apologies within a single volume. The commentary answers literary, linguistic and philosophical questions in a way that is suitable for readers of all levels, helping teachers and students engage more closely with the Greek texts. The introduction examines Socrates himself, the literature generated by his trial, Athenian legal procedures, his guilt or innocence of the crimes for which he was executed, and the rivalry between Xenophon and Plato.
Protagoras
'You are going to entrust your soul to the care of a sophist. But I should be surprised if you even know what a sophist is.'In the fifth century BC professional educators, the sophists, travelled the Greek world claiming to teach success in public and private life. In this dialogue Plato shows the pretensions of the leading sophist, Protagoras, challenged by the critical arguments of Socrates. From criticism of theeducational aims and methods of the sophists the dialogue broadens out to consider the nature of the good life, and the role of pleasure and intellect in the context of that life.The dialogue combines subtlety of argument with intricacy of dramatic construction and brilliant characterization. This translation achieves both precision and colloquial naturalness while the notes and introduction set the arguments in their historical and philosophical context.
Socrates
Socrates is a play in three acts about Socrates and the events of his trial and eventual death. Satirical in nature it takes aim at government authority and organized religion. Voltaire's contempt for government and religion come through clearly in this play. Wilder Publications is a green publisher. All of our books are printed to order. This reduces waste and helps us keep prices low while greatly reducing our impact on the environment.
Symposium
Symposium is a philosophical text by Plato. It concerns itself at one level with the genesis, purpose and nature of love, and is the origin of the concept of Platonic love. Love is examined in a sequence of speeches by men attending a symposium, or drinking party. Each man must deliver an encomium, a speech in praise of Love (Eros). The party takes place at the house of the tragedian Agathon in Athens. Socrates in his speech asserts that the highest purpose of love is to become a philosopher or, literally, a lover of wisdom. The dialogue has been used as a source by social historians seeking to throw light on life in ancient Athens, in particular upon sexual behavior, and the symposium as an institution.