William Dean
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A Belated Guest (From Literary Friends and Acquaintance)
"A Belated Guest (from Literary Friends and Acquaintance)" by William Dean Howells. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten?or yet undiscovered gems?of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
A BOY’S TOWN ADVENTURES – Complete Series: The Flight of Pony Baker, Boy Life, a Boy’s Town & Years of My Youth (Illustrated): Children’s Book Classics
This carefully crafted ebook: "A BOY'S TOWN ADVENTURES - Complete Series: The Flight of Pony Baker, Boy Life, A Boy's Town & Years of My Youth (Illustrated)" is formatted for your eReader with a functional and detailed table of contents. In this series, William Dean Howells delightfully describes the early years of his life, in the "Boy's Town" of Ohio, the state where he was born and raised. These stories remain as a vivid autobiographical records and colorful images of a life in the mid-nineteenth century American town. Extract: "If there was any fellow in the Boy's Town fifty years ago who had a good reason to run off it was Pony Baker. Pony was not his real name; it was what the boys called him, because there were so many fellows who had to be told apart, as Big Joe and Little Joe, and Big John and Little John, and Big Bill and Little Bill, that they got tired of telling boys apart that way; and after one of the boys called him Pony Baker, so that you could know him from his cousin Frank Baker, nobody ever called him anything else." William Dean Howells (1837-1920) was an American realist author, literary critic, and playwright. Nicknamed "The Dean of American Letters", he was particularly known for his tenure as editor of the Atlantic Monthly as well as his own prolific writings, including the Christmas story "Christmas Every Day", and the novels The Rise of Silas Lapham and A Traveler from Altruria. Howells is known to be the father of American realism, and a denouncer of the sentimental novel. He was the first American author to bring a realist aesthetic to the literature of the United States. His stories of Boston upper crust life set in the 1850s are highly regarded among scholars of American fiction.
My Year in a Log Cabin: Biographgy
A log cabin is a small log house, especially a less finished or architecturally sophisticated structure. Log cabins have an ancient history in Europe, and in America are often associated with first generation home building by settlers....William Dean Howells ( March 1, 1837 - May 11, 1920) was an American realist novelist, literary critic, and playwright, nicknamed "The Dean of American Letters." He was particularly known for his tenure as editor of The Atlantic Monthly, as well as for his own prolific writings, including the Christmas story "Christmas Every Day" and the novels The Rise of Silas Lapham and A Traveler from Altruria.Early life and familyWilliam Dean Howells was born on March 1, 1837, in Martinsville, Ohio (now known as Martins Ferry, Ohio), to William Cooper Howells and Mary Dean Howells, the second of eight children. His father was a newspaper editor and printer who moved frequently around Ohio.In 1840, the family settled in Hamilton, Ohio, where his father oversaw a Whig newspaper and followed Swedenborgianism.Their nine years there were the longest period that they stayed in one place. The family had to live frugally, although the young Howells was encouraged by his parents in his literary interests.He began at an early age to help his father with typesetting and printing work, a job known at the time as a printer's devil. In 1852, his father arranged to have one of his poems published in the Ohio State Journal without telling him.Literary criticismIn addition to his own creative works, Howells also wrote criticism, and essays about contemporary literary figures such as Henrik Ibsen, ?mile Zola, Giovanni Verga, Benito P?rez Gald?s, and, especially, Leo Tolstoy, which helped establish their reputations in the United States. He also wrote critically in support of American writers Hamlin Garland, Stephen Crane, Emily Dickinson, Mary E. Wilkins Freeman, Paul Laurence Dunbar, Sarah Orne Jewett, Charles W. Chesnutt, Abraham Cahan, Madison Cawein, and Frank Norris. It is perhaps in this role that he had his greatest influence. In his "Editor's Study" column at The Atlantic Monthly and, later, at Harper's, he formulated and disseminated his theories of "realism" in literature.Howells viewed realism as "nothing more and nothing less than the truthful treatment of material."In defense of the real, as opposed to the ideal, he wrote,"I hope the time is coming when not only the artist, but the common, average man, who always 'has the standard of the arts in his power, ' will have also the courage to apply it, and will reject the ideal grasshopper wherever he finds it, in science, in literature, in art, because it is not 'simple, natural, and honest, ' because it is not like a real grasshopper. But I will own that I think the time is yet far off, and that the people who have been brought up on the ideal grasshopper, the heroic grasshopper, the impassioned grasshopper, the self-devoted, adventureful, good old romantic card-board grasshopper, must die out before the simple, honest, and natural grasshopper can have a fair field."Howells believed the future of American writing was not in poetry but in novels, a form which he saw shifting from "romance" to a serious form.Howells was a Christian socialist whose ideals were greatly influenced by Russian writer Leo Tolstoy. He joined a Christian socialist group in Boston between 1889 and 1891 and attended several churches, including the First Spiritual Temple and the Church of the Carpenter, the latter being affiliated with the Episcopal Church and the Society of Christian Socialists. These influences led him to write on issues of social justice from a moral and egalitarian point of view, being critic of the social effects of industrial capitalism. He was, however, not a Marxist.