All (Frightfully Unofficial) About an Old Friend of Mine
Publication Language |
English |
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Publication Type |
eBooks |
Publication License Type |
Open Access |
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Categories: Books, Open Access Books
Tags: Bank employees, England, Humor, London
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America’s Black and White Book: One Hundred Pictured Reasons Why We Are at War
"America's Black and White Book: One Hundred Pictured Reasons Why We Are At War" by W. A. Rogers. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten?or yet undiscovered gems?of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Anecdotes of the Great War, Gathered From European Sources
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Terribly Intimate Portraits
The Art of Kissing – Curiously, Historically, Humorously, Poetically Considered
Excerpt from the opening chapter--"Of kissing it has been quaintly said that nature was its author and it began with the first courtship. The Scandinavian tradition was that kissing was an exotic introduced into England by Rowena, the beautiful daughter of Hengist, the Saxon. At a banquet given by the British monarch in honor of his allies the princess, after pressing the brimming beaker to her lips, saluted the astonished and delighted Vortigern with a little kiss, after the manner of her own people.For a long time it was an act of religion in ancient Rome and among the Romans the sacredness of the kiss was inviolable. At length it was degraded into a current form of salutation."
The Best of Fragments From France
Bruce Bairnsfather (BB) was the most famous cartoonist of the First World War and his soldier characters Old Bill, Bert and Alf, faced with sardonic good humor everything that the Germans, the mud and their officers could throw at them. However, Bruce (known by some as 'The Man Who Won the War') never received the acclaim that he deserved for the morale boost that his cartoons gave to the troops at the front and to the people back at home. The 50th Anniversary of Bairnsfather's death on 29 September 2009 offered an opportunity to redress the balance, and acknowledging it in combination with raising funds for Help for Heroes (H4H) seemed to be most appropriate. The cartoons reproduced in this collection were originally drawn for The Bystander, a popular weekly magazine, in which they appeared each Tuesday throughout most of the Great War. Their effect on the public was totally unexpected, and so dramatic that Bystander sales soared. The organization, with unerring good judgement, decided it had a winner in Bairnsfather, and published the first 43 of his cartoons in an anthology. It was produced in February 1916, given the name Fragments from France and sold for 1s. On the front cover was a colored print of The Better 'Ole which soon became, and was to remain, the most loved of all Bairnsfather's cartoons. The authors own the original. Sales quickly reached a quarter of a million and a second anthology was published, More Fragments from France. It was described on the title page as 'Vol II' and the price was still 1s. The cartoon on the cover was 'What time do they feed the sea lions'? In this volume The Bystander launched the first of a series of imaginative marketing exercises, similar to modern promotional methods. The full extent of the proliferation of the cartoons on all manner of products, from playing cards to pottery, is described in our Bairnsfather biography. Soon Still More Fragments from France were clamored for, and, with an eye to the future, the booklet was labeled No. 3 on the cover, Vol III on the title page. The success of the Fragments magazines was such that edition followed edition in rapid succession and at least eleven editions were published. The covers retained the same cartoon but were reproduced in different colors, both of board and ink , green, blue, red, grey, fawn and mauve. In America Putnam's issued Nos. I-IV as one volume and parts V and VI separately. Various hard and leather-bound collections were offered for sale by The Bystander, and the drawings were sold separately as prints and "Portfolios" for framing. They were also printed in color as giveaways for Answers magazine. Leafing through these pages, the reader will soon understand their tremendous popularity and success which have withstood the test of time.
The Westminster Alice
This early work by H. H. Munro was originally published in 1912 and we are now republishing it with a brand new introductory biography. 'The Westminster Alice' is a collection of satirical sketches, including 'Alice in Lambeth', 'Alice in Pall Mall', 'Alice in a Fog', and many more. Hector Hugh Munro was born in Akyab, Burma in 1870. He was raised by aunts in North Devon, England, before returning to Burma in his early twenties to join the Colonial Burmese Military Police. Later, Munro returned once more to England, where he embarked on his career as a journalist, becoming well-known for his satirical 'Alice in Westminster' political sketches, which appeared in the Westminster Gazette. Arguably better-remembered by his pen name, 'Saki', Munro is now considered a master of the short story, with tales such as 'The Open Window' regarded as examples of the form at its finest.