Shakespeare’s Bones / The Proposal to Disinter Them, Considered in Relation to Their Possible Bearing on His Portraiture: Illustrated by Instances of Visits of the Living to the Dead
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Categories: Books, Open Access Books Tags: 1564-1616, 1759-1805, England, Exhumation, Friedrich, Schiller, Shakespeare, Tomb, William
2 Magics the Turn of the Screw
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The Annotated Wind in the Willows
"Believe me, my young friend, there is nothing,absolutely nothing,half so much worth doing as simply messing about in boats.",the Water Rat to the MoleAn instant bestseller upon its initial publication in 1908, The Wind in the Willows has become one of the beloved stories of all time. How could Ratty and Mole have known when they took to the river over one hundred years ago that they would begin a phenomenon that would produce one of the most oft-quoted lines in British literature, and inspire everyone from the creator of Winnie-the-Pooh to Pink Floyd? Drawing from more than a decade of research, Annie Gauger, one of the world's leading experts on Kenneth Grahame and The Wind in the Willows, now presents a fascinating new annotated edition that reintroduces readers to Otter, curmudgeonly Badger, and rollicking, boastful Toad, while revealing the secrets behind this treasured classic.In The Annotated Wind in the Willows, readers will discover the sheer joy of the original text, restored to the original 1908 version, illustrated with hundreds of full-color images,including the beloved drawings by E. H. Shepard and Arthur Rackham. This edition also includes Shepard's famous map of the Wild Wood and rarely seen images by illustrators Graham Robertson, Paul Bransom, Nancy Barnhart, and Wyndham Payne.In an illuminating preface, Gauger explains how Grahame came to write the novel, which began as a bedtime story and then became a series of letters he wrote to his son, Alastair. This edition reproduces the original letters in their entirety and includes nearly a thousand delightful annotations on everything from automobiles (Toad drove an Armstrong Hardcastle Special Eight) and early motorcar etiquette to modern manifestations (Disneyland's Mr. Toad's Wild Ride). She reveals how William John Cavendish Bentinck-Scott, the peculiar Fifth Duke of Portland, built an extensive network of underground tunnels, thus inspiring the character of Badger, and she puts Grahame's work in literary context, comparing him to Dickens, Rudyard Kipling, A. A. Milne, and Sir Arthur Conan Doyle. Finally, new to this edition, long buried in the Kenneth Grahame papers, are the notes, letters, and writings by Alastair Grahame and his governess, including several pieces by Kenneth Grahame himself that have never been published before.With a stunning, lyrical tribute to Grahame by Brian Jacques, the internationally best-selling author of the Redwall series, The Annotated Wind in the Willows should prove a most beautiful and enduring tribute to Grahame's masterpiece.
William Blake: A Critical Essay
In the year 1827, there died, after a long dim life of labour, a man as worthy of remark and regret as any then famous. In his time he had little enough of recognition or regard from the world; and now that here and there one man and another begin to observe that after all this one was perhaps better worth notice and honour than most, the justice comes as usual somewhat late. Between 1757 and 1827 the world, one might have thought, had time to grow aware whether or not a man were worth something. For so long there lived and laboured in more ways than one the single Englishman of supreme and simple poetic genius born before the closing years of the eighteenth century; the one man of that date fit on all accounts to rank with the old great names. A man perfect in his way, and beautifully unfit for walking in the way of any other man. We have now the means of seeing what he was like as to face in the late years of his life: for his biography has at the head of it a clearly faithful and valuable likeness. The face is singular, one that strikes at a first sight and grows upon the observer; a brilliant eager, old face, keen and gentle, with a preponderance of brow and head; clear bird-like eyes, eloquent excitable mouth, with a look of nervous and fluent power; the whole lighted through as it were from behind with a strange and pure kind of smile, touched too with something of an impatient prospective rapture. The words clear and sweet seem the best made for it; it has something of fire in its composition, and something of music. If there is a want of balance, there is abundance of melody in the features; melody rather than harmony; for the mould of some is weaker and the look of them vaguer than that of others. Thought and time have played with it, and have nowhere pressed hard; it has the old devotion and desire with which men set to their work at starting. It is not the face of a man who could ever be cured of illusions; here all the medicines of reason and experience must have been spent in pure waste. We know also what sort of man he was at this time by the evidence of living friends. No one, artist or poet, of whatever school, who had any insight or any love of things noble and lovable, ever passed by this man without taking away some pleasant and exalted memory of him. Those with whom he had nothing in common but a clear kind nature and sense of what was sympathetic in men and acceptable in things?those men whose work lay quite apart from his?speak of him still with as ready affection and as full remembrance of his sweet or great qualities as those nearest and likest him. There was a noble attraction in him which came home to all people with any fervour or candour of nature in themselves. One can see, by the roughest draught or slightest glimpse of his face, the look and manner it must have put on towards children. He was about the hardest worker of his time; must have done in his day some horseloads of work. One might almost pity the poor age and the poor men he came among for having such a fiery energy cast unawares into the midst of their small customs and competitions. Unluckily for them, their new prophet had not one point they could lay hold of, not one organ or channel of expression by which to make himself comprehensible to such as they were. Shelley in his time gave enough of perplexity and offence; but even he, mysterious and rebellious as he seemed to most men, was less made up of mist and fire than Blake.
The Babees’ Book: Medieval Manners for the Young
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