Jews
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A Book of Jewish Thoughts, Selected and Arranged by the Chief Rabbi, J.H. Hertz
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A King of Tyre: A Tale of the Times of Ezra and Nehemiah
"A King of Tyre: A Tale of the Times of Ezra and Nehemiah" by James M. Ludlow. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten?or yet undiscovered gems?of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Aaron the Jew (Complete): A Novel
This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentionalunintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!
An Obscure Apostle: A Dramatic Story
"An Obscure Apostle" by Eliza Orzeszkowa (translated by Count de Soissons). Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten?or yet undiscovered gems?of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
From the Heart of Israel: Jewish Tales and Types
"From the Heart of Israel: Jewish Tales and Types" by Bernard Drachman. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten?or yet undiscovered gems?of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Ghetto: A Drama in Four Acts, The
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Hammer: A Story of the Maccabean Times, The
The time is the evening of a day in the early autumn of the year 174 B.C. There has been a great festival in Jerusalem. But it has been curiously unlike any festival that one would have expected to be held in that famous city. The people have not been crowding in from the country, and journeying from their far-off places of sojourn among the heathen, to keep one of the great feasts of the Law. Nothing could be further from the thoughts of the crowd that is streaming out of this new building which stands close under the walls of the Temple. What would they who built the Temple some two and a half centuries before have thought of this strange intruder on the sacred precincts? It is not difficult to imagine, for the new erection is nothing more or less than a Circus, built and furnished in the latest Greek fashion, and the spectacle which the crowd has been enjoying, or pretending to enjoy?for it is strange to all, and distasteful to some?is an imitation of the Olympian games. Things then, we see, have been curiously changed. Even the city has almost lost its identity. It is no longer the capital of the Jewish nation, but the chief town of an insignificant province in the Greek kingdom of Syria, one of the fragments into which the great dominion of Alexander had split some hundred and fifty years before. We shall understand something more about this marvellous change if we listen to a conversation that is going on in one of the houses that adjoin the Temple. ?Well, Cleon, you will allow that our little show to-day has been fairly successful. We are but novices, you know; barbarians, I am afraid you will call us. But we hope to improve. You Greeks are wonderful teachers. You can give in a very short time a quite marvellous appearance of refinement to the merest savages. And we are not that; you would not call us savages, my dear friend.? ?Savages! The gods forbid that such insolent folly should ever come from my tongue! You have a most elegant taste in art, my dear Jason. Our own Callias?he is our first connoisseur at Athens; you must have heard me mention him?would not disdain to have some of the little things which you have about you here in his own apartment.? And, as he spoke, Cleon looked round the room, which, indeed, was very handsomely furnished in the latest Greek taste. The walls were covered with tapestry, showing on a purple ground a design, worked in silver and gold, which represented the triumphant return of the Wine-god from his Eastern campaigns. At one end of the room stood a sumptuously-carved bookcase, filled with volumes adorned by the most skilful binders of Alexandria. The bookcase was flanked on either side by a pedestal statue, one displaying the head of Hermes, the other the head of Athen?. On a sideboard were ranged twelve silver goblets, on which had been worked in high relief the labours of Hercules. But probably the most precious object in the room?at least in its master?s estimation?was a replica, about half the size of life, of the statue that we know as the ?Dying Gladiator.? It was the work of a sculptor of Pergamum, a special favourite of the art-loving dynasty of the Attali.