Adhyatma-Tatva-Sudha
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American Indian Fairy Tales
Among the Wild Tribes of the Afghan Frontier – a Record of Sixteen Years’ Close Intercourse With the Natives of the Indian Marches
"Among the Wild Tribes of the Afghan Frontier" is an account of the of sixteen years spent working with tribes in Afghanistan. Theodore Leighton Pennell (1867-1912) was a doctor and Christian missionary. He spent much of his time living with various tribes of Afghanistan and Pakistan, where he founded a missionary hospital. He was awarded the Kaisar-i-Hind Medal for Public Service in India. This fascinating volume is a record of his life's work beginning with his moving to Bannu in 1893 to introduce the gospel to those travelling in and out of Afghanistan. "Among the Wild Tribes of the Afghan Frontier" is highly recommended for those with an interest in Afghanistan in the late nineteenth century Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with the original artwork and text.
Chicago, Satan’s Sanctum
Chicago has long had a reputation as being a rough-and-tumble metropolis full of shady characters and run by politicians of dubious moral character. This hard-hitting true-crime expose indicates that the city was already earning its notoriety in the late nineteenth century. Author L. O. Curon spins a page-turning account of Chicago's gritty, crime-ridden streets.
Freaks of Mayfair, The
This antiquarian volume contains E. F. Benson's series of hysterically dry, fictional sketches of high society in Mayfair. The society about which the author writes is one that he knew very well, and each denizen that he illustrates characterises a distinct anthropological type. From Lady Mary, who practices snobbery as an art form, to Mr. Sandow, a socialite vicar interested in everything but spirituality, this masterful piece of satire will appeal to those who enjoy literature of this ilk, and makes for a great addition to any collection. The chapters of this book include: The Compleat Snobs, Aunt Georgie, Quack-Quack, The Sea-Green Incorruptible, The Eternally Uncompromised, The Grizzly Kittens, The Horizontal, The Perpendicular, Pastor, Sing for your Dinner, The Praisers of Past Time, etcetera. We are republishing this vintage book now complete with a specially commissioned new biography of the author.
In This Our World
This book contains Charlotte Perkins Gilman's first collection of poetry, coupled with almost eighty previously uncollected pieces. A wonderful compendium that is sure to be of interest to keen lovers of poetry, 'In This Our World' is a great example of Gilman's unique style and unrelenting passion for her subject matter. A book worthy of a place atop any bookshelf, this text constitutes a veritable must-have for fans and collectors of Gilman's prolific work. The poems contained herein include: 'Birth', 'Nature's Answer', 'The Commonplace',' A Common Inference', 'The Rock and the Sea', 'The Lion Path', 'Reinforcements', 'Heroism', 'Fire with Fire', 'The Shield', and many, many more. Charlotte Perkins Gilman (1860 - 1935) was an influential American sociologist, feminist, academic-lecturer, novelist and poet. We are proud to republish this antique book, complete with a new biography of the author.
Maria or the Wrongs of Woman
Novel by the pioneering champion of women's rights (and the mother of Mary Shelley, author of Frankenstein). According to Wikipedia: "Maria: or, The Wrongs of Woman is the 18th century British feminist Mary Wollstonecraft's unfinished novelistic sequel to her revolutionary political treatise A Vindication of the Rights of Woman (1792). The Wrongs of Woman was published posthumously in 1798 by her husband, William Godwin, and is often considered her most radical feminist work. Wollstonecraft's philosophical and gothicpatriarchal institution of marriage in eighteenth-century Britain and the legal system that protected it. However, the heroine's inability to relinquish her romantic fantasies also reveals women's collusion in their oppression through false and damaging sentimentalism. The novel pioneered the celebration of female sexuality and cross-class identification between women. Such themes, coupled with the publication of Godwin's scandalous Memoirs of Wollstonecraft's life, made the novel unpopular at the time it was published.Twentieth-century feminist critics embraced the work, integrating it into the history of the novel and feminist discourse. It is most often viewed as a fictionalized popularization of the Rights of Woman, as an extension of Wollstonecraft's feminist arguments in Rights of Woman, and as autobiographical." novel revolves around the story of a woman imprisoned in an insane asylum by her husband. It focuses on the societal rather than the individual "wrongs of woman" and criticizes what Wollstonecraft viewed as autobiographical."
Picturesque Pala – the Story of the Mission Chapel of San Antonio De Padua Connected With Mission San Luis Rey – the Original Classic Edition
Finally available, a high quality book of the original classic edition of Picturesque Pala - The Story of the Mission Chapel of San Antonio de Padua Connected with Mission San Luis Rey. It was previously published by other bona fide publishers, and is now, after many years, back in print. This is a new and freshly published edition of this culturally important work by George Wharton James, which is now, at last, again available to you. Get the PDF and EPUB NOW as well. Included in your purchase you have Picturesque Pala - The Story of the Mission Chapel of San Antonio de Padua Connected with Mission San Luis Rey in EPUB AND PDF format to read on any tablet, eReader, desktop, laptop or smartphone simultaneous - Get it NOW. Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside Picturesque Pala - The Story of the Mission Chapel of San Antonio de Padua Connected with Mission San Luis Rey: Look inside the book: While it is very possible the Mission of San Juan Capistrano?the next one further north?was 12 the most imposing, architecturally, of all the California Missions in its prime, it was not allowed to stand long enough for us to know its glory, the earthquake of 1812 destroying its tower, after which time it remained in ruins. ...Was Peyri, here, the inspired genius, fired with the sublime audacity that creates new and startling revelations of beauty for the delight and elevation of the world, or was he but the humble, though discerning, man of simple naturalness who did not know enough to realize he was doing what had never been done before, and thus, through his very simplicity and naturalness, stumbling upon the daring, the unique, the individualistic and at the same time, the beautiful, the artistic, the competent?
Riders to the Sea: A Play in One Act
Riders to the Sea. A Play in One Act. By J. M. Synge. Riders to the Sea is a play written by Irish playwright John Millington Synge. It was first performed on February 25, 1904 at the Molesworth Hall, Dublin by the Irish National Theater Society. A one-act tragedy, the play is set in the Aran Islands, and like all of Synge's plays it is noted for capturing the poetic dialogue of rural Ireland. The very simple plot is based not on the traditional conflict of human wills but on the hopeless struggle of a people against the impersonal but relentless cruelty of the sea. It must have been on Synge's second visit to the Aran Islands that he had the experience out of which was wrought what many believe to be his greatest play. The scene of "Riders to the Sea" is laid in a cottage on Inishmaan, the middle and most interesting island of the Aran group. While Synge was on Inishmaan, the story came to him of a man whose body had been washed up on the far away coast of Donegal, and who, by reason of certain peculiarities of dress, was suspected to be from the island. In due course, he was recognised as a native of Inishmaan, in exactly the manner described in the play, and perhaps one of the most poignantly vivid passages in Synge's book on "The Aran Islands" relates the incident of his burial. The other element in the story which Synge introduces into the play is equally true. Many tales of "second sight" are to be heard among Celtic races. In fact, they are so common as to arouse little or no wonder in the minds of the people. It is just such a tale, which there seems no valid reason for doubting, that Synge heard, and that gave the title, "Riders to the Sea", to his play. It is the dramatist's high distinction that he has simply taken the materials which lay ready to his hand, and by the power of sympathy woven them, with little modification, into a tragedy which, for dramatic irony and noble pity, has no equal among its contemporaries. Great tragedy, it is frequently claimed with some show of justice, has perforce departed with the advance of modern life and its complicated tangle of interests and creature comforts. A highly developed civilisation, with its attendant specialisation of culture, tends ever to lose sight of those elemental forces, those primal emotions, naked to wind and sky, which are the stuff from which great drama is wrought by the artist, but which, as it would seem, are rapidly departing from us. It is only in the far places, where solitary communion may be had with the elements, that this dynamic life is still to be found continuously, and it is accordingly thither that the dramatist, who would deal with spiritual life disengaged from the environment of an intellectual maze, must go for that experience which will beget in him inspiration for his art. The Aran Islands from which Synge gained his inspiration are rapidly losing that sense of isolation and self-dependence, which has hitherto been their rare distinction, and which furnished the motivation for Synge's masterpiece. Whether or not Synge finds a successor, it is none the less true that in English dramatic literature "Riders to the Sea" has an historic value which it would be difficult to over-estimate in its accomplishment and its possibilities. A writer in The Manchester Guardian shortly after Synge's death phrased it rightly when he wrote that it is "the tragic masterpiece of our language in our time; wherever it has been played in Europe from Galway to Prague, it has made the word tragedy mean something more profoundly stirring and cleansing to the spirit than it did."
Robin Hood – the Original Classic Edition
This is the classic story of the life and adventures of Robin Hood, who, with his band of followers, lived as an outlaw in Sherwood Forest dedicated to fighting tyranny. Robin Hood, champion of the poor and oppressed, stands against the cruel power of Prince John and the brutal Sheriff of Nottingham. Taking refuge in the vast Sherwood Forest with his band of men, he remains determined to outwit his enemies. Based on the Paul Creswick telling of Robin Hood, and drawing from the rich and varied lore surrounding the beloved outlaw, this spirited work of Robin Hood's many adventures is a vibrant introduction to Friar Tuck, Little John, Maid Marian, the Sheriff of Nottingham, and, of course, Robin Hood, the hero whose generosity and sense of justice continue to intrigue readers today as much as they did eight hundred years ago. Original oil paintings by N. C. Wyeth capture the vitality of this classic tale.
Weeds
First published in 1923, Weeds is a classic of American naturalism with a profoundly feminist turn-pioneer in a tradition of rural, working-class women's writing that includes such works as Harriet Arnow's The Dollmaker, Tillie Olsen's Yonnondio, and Jane Smiley's A Thousand Acres. Set amidst the harsh life of rural Kentucky tenant farmers, Weeds is the moving story of a hard-working, spirited young woman who must painfully submit to the limitations imposed by her time, her class, and her gender. Coming of age in Scott County, Kentucky, Judith Pippinger is intelligent, sensitive, and full of untamed energy. She falls in love first with the natural world around her, and then with a decent and loving man, Jerry Blackford. Judith and Jerry marry and work side-by-side in the tobacco fields; they are poor share croppers, but they hope each year will bring them a richer harvest. But Judith soon finds herself in a deep, soul-destroying stuggle against the imprisoning duties of motherhood and of managing an impoverished household. As crops fail and her marriage falters, Judith yields at last. She resolves to bring up her children without hope that her life might be different; but as one of her daughters lies near death, she summons her last vestiges of strength and wills the child to survive. In the tragic world of this powerful novel, both Judy and Jerry become victims of circumstance. The impossible economic conditions, the gruelling toil of tenant farming, the disease and isolation-all take a crippling toll on their spirits. They survive, but they are changed-Judith even more than Jerry. Kelley's deeply nuanced portrait is particularly remarkable in depicting a woman who suffers not from a lack of love-from her husband, her children, or her community-but from an unrequited longing for self-expression and freedom. When Weeds was first published in 1923, the editors cut from the novel a chapter describing the birth of Judith's first child, deeming it too graphic for readers. This chapter has been restored to the Feminist Press edition.