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Automatic Pistol Shooting – Together With Information on Handling the Duelling Pistol and Revolver
Finally available, a high quality book of the original classic edition of Automatic Pistol Shooting - Together with Information on Handling the Duelling Pistol and Revolver. It was previously published by other bona fide publishers, and is now, after many years, back in print. This is a new and freshly published edition of this culturally important work by Walter Winans, which is now, at last, again available to you. Get the PDF and EPUB NOW as well. Included in your purchase you have Automatic Pistol Shooting - Together with Information on Handling the Duelling Pistol and Revolver in EPUB AND PDF format to read on any tablet, eReader, desktop, laptop or smartphone simultaneous - Get it NOW. Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside Automatic Pistol Shooting - Together with Information on Handling the Duelling Pistol and Revolver: Look inside the book: As soon as you can shoot well enough to know whether bad shots are the fault of the sighting of the revolver or of your own holding, you can sight the pistol properly for yourself; and in this way you can do the sighting much more accurately, and with greater nicety, than by taking it to a gunmaker and saying: ?Alter the sights to shoot three inches higher and two to the left at twenty yards, and open the ?U? a little,? etc. ...I have made ?bulls? when the target was almost out of sight, in fact, I did so in my record shoot, at Bisley, where there used to be such a competition: but this is a bad habit to contract, and a risky sort of shot, as it is almost sure to be too far behind, or even to be fired into the shield in front of the target; though, of course, if you have not a good aim, it is better to delay as long as possible, rather than to shoot earlier with a bad aim.
Byways in British Archaeology
Originally published in 1912, this volume provides a detailed and enthusiastically written history of Britain's churches and their churchyards. With particular emphasis on the concept of 'folk memory', a diminishing means of recalling and understanding the past, Johnson's study looks at material archaeological discoveries whilst also addressing the significance of place names, site orientation, folktales and pagan prehistory. In this well-illustrated and informative work, Johnson's extensive research navigates the complexities of Britain's religious past, producing a series of fascinating interrelated arguments. Johnson addresses numerous topics, including the construction of churches on pagan sites, the churchyard yew and the survival of past rituals within burial customs. This book provides a detailed and far-reaching investigation of the archaeology and architecture of hundreds of churches across England and Wales, and will be enjoyed by anybody with an interest in British archaeology, or the histories of British churches and Christian traditions.
Chains and Freedom: Or, the Life and Adventures of Peter Wheeler, a Colored Man Yet Living. A Slave in Chains, a Sailor on the Deep, and a Sinner at the Cross
LARGE PRINT EDITION THE following Narrative was taken entirely from the lips of Peter Wheeler. I have in all instances given his own language, and faithfully recorded his story as he told it, without any change whatever. There are many astonishing facts related in this book, and before the reader finishes it, he will at least feel that "Truth is stranger than fiction." But the truth of everything here stated can be relied on. The subject of this story is well known to the author, who for a long time brake unto him "the bread of life," as a brother in Christ, and beloved for the Redeemer's sake. There are, likewise, hundreds of living witnesses, who have for many years been acquainted with the man, and aware of the incidents here recorded, who cherish perfect confidence in his veracity. He has many times, for many years, related the same facts, to many persons, in the same language verbatim; and individuals to whom the author has read some of the following incidents, have recognized the story and language, as they heard them from the hero's lips long before the author ever heard his name. There are also persons yet living, whom I have seen and known, who witnessed many of Peter's most awful sufferings. Of course, the book lays no claim to the merit of literature, and will not be reviewed as such; but it does claim the merit of strict veity, which is no mean characteristic in a book, in these days. The subject, and the author, have but one object in view in bringing the book before the public: ,a mutual desire to contribute as far as they can, to the freedom of enchained millions for whom Christ died. And if any heart may be made to feel one emotion of benevolence, and lift up a more earnest cry to God for the suffering slave; if one generous impulse may be awakened in a slaveholder's bosom towards his fellow traveller to God's bar, whose crime is, in being "born with a skin not coloured like his own;" and if it may inspire in the youthful mind, the spirit of that sweet verse, consecrated by the hallowed associations of a New-England home, "I was not born a little slave To labour in the sun, And wish I were but in my grave, And all my labor done." it will not be in vain. That it may hasten that glorious consummation which we know is fast approaching, when slavery shall be known only in the story of past time, is the earnest prayer of the
Everlasting Mercy – the Original Classic Edition, The
Finally available, a high quality book of the original classic edition of The Everlasting Mercy. It was previously published by other bona fide publishers, and is now, after many years, back in print. This is a new and freshly published edition of this culturally important work by John Masefield, which is now, at last, again available to you. Get the PDF and EPUB NOW as well. Included in your purchase you have The Everlasting Mercy in EPUB AND PDF format to read on any tablet, eReader, desktop, laptop or smartphone simultaneous - Get it NOW. Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside The Everlasting Mercy: Look inside the book: At all who'd come to see me fight; ...I'd think, 'What's come to me to-night?' About John Masefield, the Author: 1 After an unhappy education at the King's School in Warwick (now known as Warwick School), where he was a boarder between 1888 and 1891, he left to board the HMS Conway, both to train for a life at sea, and to break his addiction to reading, of which his aunt thought little. ...After King Cole Masefield turned away from the long poem and back to the novel, and from 1924 till the Second World War published twelve novels, which vary from stories of the sea (The Bird of Dawning, Victorious Troy) to social novels about modern England (The Hawbucks, The Square Peg), and from tales of an imaginary land in Central America (Sard Harker, Odtaa) to fantasies for children (The Midnight Folk, The Box of Delights).
Freaks of Mayfair, The
This antiquarian volume contains E. F. Benson's series of hysterically dry, fictional sketches of high society in Mayfair. The society about which the author writes is one that he knew very well, and each denizen that he illustrates characterises a distinct anthropological type. From Lady Mary, who practices snobbery as an art form, to Mr. Sandow, a socialite vicar interested in everything but spirituality, this masterful piece of satire will appeal to those who enjoy literature of this ilk, and makes for a great addition to any collection. The chapters of this book include: The Compleat Snobs, Aunt Georgie, Quack-Quack, The Sea-Green Incorruptible, The Eternally Uncompromised, The Grizzly Kittens, The Horizontal, The Perpendicular, Pastor, Sing for your Dinner, The Praisers of Past Time, etcetera. We are republishing this vintage book now complete with a specially commissioned new biography of the author.
Giant Crab and Other Tales From Old India – Illustrated by W. Heath Robinson, The
This whimsical collection of tales is based on the Buddhist collection of J?taka tales. However, the author confesses to ?ruthlessly? altering them for the amusement of children and occasionally borrowing a ?phrase or a versicle?. He opens the book with a warning; ?To this work I refer all scholars, folklorists and scientific persons generally: warning them that if they plunge deeper into these page, they will be horribly shocked.? These wonderful tales are accompanied by many beautiful and intricate black and white illustrations by W. Heath Robinson. An English cartoonist and illustrator, best known for drawings of ridiculously complicated machines ? for achieving deceptively simple objectives. Such was (and is) his fame, that the term ?Heath Robinson? entered the English language during the First World War, as a description of any unnecessarily complex and implausible contrivance. Originally published in 1897, we are now republishing it here as part of our ?Pook Press? imprint, celebrating the golden age of illustration in children?s literature.
In This Our World
This book contains Charlotte Perkins Gilman's first collection of poetry, coupled with almost eighty previously uncollected pieces. A wonderful compendium that is sure to be of interest to keen lovers of poetry, 'In This Our World' is a great example of Gilman's unique style and unrelenting passion for her subject matter. A book worthy of a place atop any bookshelf, this text constitutes a veritable must-have for fans and collectors of Gilman's prolific work. The poems contained herein include: 'Birth', 'Nature's Answer', 'The Commonplace',' A Common Inference', 'The Rock and the Sea', 'The Lion Path', 'Reinforcements', 'Heroism', 'Fire with Fire', 'The Shield', and many, many more. Charlotte Perkins Gilman (1860 - 1935) was an influential American sociologist, feminist, academic-lecturer, novelist and poet. We are proud to republish this antique book, complete with a new biography of the author.
The Red Fairy Book – the Original Classic Edition
The Red Fairy Book by Andrew Lang - The Original Classic Edition Finally available, a high quality book of the original classic edition. This is a new and freshly published edition of this culturally important work, which is now, at last, again available to you. Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside: It was well known for full twenty miles round that there lived in the castle of Beloeil twelve princesses of wonderful beauty, and as proud as they were beautiful, and who were besides so very sensitive and of such truly royal blood, that they would have felt at once the presence of a pea in their beds, even if the mattresses had been laid over it....ONCE upon a time there lived a King and Queen whose children had all died, first one and then another, until at last only one little daughter remained, and the Queen was at her wits end to know where to find a really good nurse who would take care of her, and bring her up. ...So all the counsellors were summoned to the palace, and when they had shut every door and window, and stuffed up every keyhole that they might not be overheard, they talked the affair over, and decided that every fairy for a thousand leagues round should be invited to the christening of the Princess, and that the time of the ceremony should be kept a profound secret, in case the Fairy Carabosse should take it into her head to attend it....The Princess and Fanfaronade on landing upon the island had given the boatman a hundred gold pieces, and made him promise solemnly to tell no one where he had taken them; but the first thing that happened was that, as he rowed away, he got into the midst of the fleet, and before he could escape the Admiral had seen him and sent a boat after him....So when the soldiers landed they could see nothing, but the Princess touched them one after another with the dagger, and they fell insensible upon the sand, so that at last the Admiral, seeing that there was some enchantment, hastily gave orders for a retreat to be sounded, and got his men back into their boats in great confusion.
The Vision of Hell
Weeds
First published in 1923, Weeds is a classic of American naturalism with a profoundly feminist turn-pioneer in a tradition of rural, working-class women's writing that includes such works as Harriet Arnow's The Dollmaker, Tillie Olsen's Yonnondio, and Jane Smiley's A Thousand Acres. Set amidst the harsh life of rural Kentucky tenant farmers, Weeds is the moving story of a hard-working, spirited young woman who must painfully submit to the limitations imposed by her time, her class, and her gender. Coming of age in Scott County, Kentucky, Judith Pippinger is intelligent, sensitive, and full of untamed energy. She falls in love first with the natural world around her, and then with a decent and loving man, Jerry Blackford. Judith and Jerry marry and work side-by-side in the tobacco fields; they are poor share croppers, but they hope each year will bring them a richer harvest. But Judith soon finds herself in a deep, soul-destroying stuggle against the imprisoning duties of motherhood and of managing an impoverished household. As crops fail and her marriage falters, Judith yields at last. She resolves to bring up her children without hope that her life might be different; but as one of her daughters lies near death, she summons her last vestiges of strength and wills the child to survive. In the tragic world of this powerful novel, both Judy and Jerry become victims of circumstance. The impossible economic conditions, the gruelling toil of tenant farming, the disease and isolation-all take a crippling toll on their spirits. They survive, but they are changed-Judith even more than Jerry. Kelley's deeply nuanced portrait is particularly remarkable in depicting a woman who suffers not from a lack of love-from her husband, her children, or her community-but from an unrequited longing for self-expression and freedom. When Weeds was first published in 1923, the editors cut from the novel a chapter describing the birth of Judith's first child, deeming it too graphic for readers. This chapter has been restored to the Feminist Press edition.