Mrs. James Preedy, lodging-house keeper, bred and born in the vocation, and consequently familiar with all the moves of that extensive class of persons in London that has no regular home, and has to be cooked for, washed for, and generally done for, sat in the kitchen of her house, No. 118, Great Porter Square. This apartment was situated in the basement, and here Mrs. Preedy received her friends and ?did? for her lodgers, in so far as the cooking for them can be said to be included in that portentous and significant term. The floor of the kitchen was oil-clothed, with, in distinguished places, strips of carpet of various patterns and colours, to give it an air. Over the mantelpiece was a square looking-glass in a mahogany frame, ranged on each side of which were faded photographs of men, women, and children, and of one gentleman in particular pretending to smoke a long pipe. This individual, whose face was square, whose aspect was frowning, and whose shirt sleeves were tucked up in an exceedingly free and easy fashion, was the pictorial embodiment of Mrs. Preedy’s deceased husband. While he lived he was ?a worryer, my dear,? to quote Mrs. Preedy?and to do the lady justice, he looked it; but being gone to that bourne from which no lodging-house keeper ever returns, he immediately took his place in the affections of his widow as ?the dear departed? and a ?blessed angel.?
Great Porter Square: A Mystery
Mrs. James Preedy, lodging-house keeper, bred and born in the vocation, and consequently familiar with all the moves of that extensive class of persons in London that has no regular home, and has to be cooked for, washed for, and generally done for, sat in the kitchen of her house, No. 118, Great Porter Square. This apartment was situated in the basement, and here Mrs. Preedy received her friends and ?did? for her lodgers, in so far as the cooking for them can be said to be included in that portentous and significant term. The floor of the kitchen was oil-clothed, with, in distinguished places, strips of carpet of various patterns and colours, to give it an air. Over the mantelpiece was a square looking-glass in a mahogany frame, ranged on each side of which were faded photographs of men, women, and children, and of one gentleman in particular pretending to smoke a long pipe. This individual, whose face was square, whose aspect was frowning, and whose shirt sleeves were tucked up in an exceedingly free and easy fashion, was the pictorial embodiment of Mrs. Preedy’s deceased husband. While he lived he was ?a worryer, my dear,? to quote Mrs. Preedy?and to do the lady justice, he looked it; but being gone to that bourne from which no lodging-house keeper ever returns, he immediately took his place in the affections of his widow as ?the dear departed? and a ?blessed angel.?
Publication Language |
English |
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Publication Type |
eBooks |
Publication License Type |
Open Access |