Vinobanchi Pakistan Prem-yatra
Language |
Marathi |
---|---|
License Type |
Premium |
Publication Type |
eBooks |
Publication Mode |
Online |
Related products
American Indian Fairy Tales
Change in the Village
A massive influx of wealth and the emergence of a new class of nouveau riche industrialists and tycoons began to change the social structure of Britain in the early twentieth century. George Sturt, a craftsman and writer, documents the transition in this insightful series of essays on the changes that began to transpire in his own small village during the period, upending hundreds of years of tradition in the process.
Chicago, Satan’s Sanctum
Chicago has long had a reputation as being a rough-and-tumble metropolis full of shady characters and run by politicians of dubious moral character. This hard-hitting true-crime expose indicates that the city was already earning its notoriety in the late nineteenth century. Author L. O. Curon spins a page-turning account of Chicago's gritty, crime-ridden streets.
Cremation of the Dead, Its History and Bearings Upon Public Health (Illustrated)
Cremation of the dead is neither new in theory nor in practice. In the England of modern times, however, the question has only recently assumed recognised importance. And the more one considers cremation, the more one finds himself wondering how it has come to pass that we practise burial, with its many faults, and do not burn our dead. Thousands amongst us are now beginning to feel thankful that the dead are soon to 'rule our spirits from their urns' in a realistic and not alone in a poetical sense. They think there is something majestic and even pleasurable in the idea that it will ere long be possible, on all civilised shores, to leave their mother earth, not with a partial, but with a fully consummated sacrifice upon her altar, bidding her adieu none the worse, but rather the better, for their sojourn with her. They groan[2] and labour under the burden of enforced burial, and 'hail with satisfaction and joy the prospect that a chariot of fire may receive them instead of the cold and darksome grave.'
Four and Twenty Fairy Tales, Selected From Those of Perrault, and Other Popular Writers – Illustrated by Godwin, Corbould, and Harvey
Four and Twenty Fairy Tales is a collection of stories, selected from the writings of Perrault, Leprince de Beaumont, Madame de Villeneuve among other important French fairy tale writers, and translated by J. R. Planch? (1796 ? 1880). The text is accompanied by the beautiful illustrations of James Godwin, Edward Corbould and William Harvey. Perrault (1628 ? 1703) was among the first writers to bring magical children?s stories into the literary mainstream, proving to their original seventeenth century readers that such works were important, enjoyable, as well as thought-provoking. The stories of Four and Twenty Fairy Tales encompass favourites such as ?Blue Beard?, ?Sleeping Beauty?, ?Puss in Boots?, 'Beauty and the Beast' and ?Cinderella? as well as other, near-forgotten tales such as ?Fairer than a Fairy?, ?The Impossible Enchantment? and ?The Widow and her Two Daughters.? Planch? himself was a British dramatist and antiquary, chiefly responsible for introducing historically accurate costume into nineteenth century British theatre. His interest in folklore stemmed from such endeavours ? and his passion for the tales as well as mastery of the French language is apparent in this text. The book contains a selection of black-and-white illustrations by Edward Corbould, James Godwin, William Harvey and others, all engraved by the famous Dalziel Brothers which further serve to refine and enhance the tales. Pook Press celebrates the great ?Golden Age of Illustration? in children?s literature ? a period of unparalleled excellence in book illustration from the 1880s to the 1930s. Our collection showcases classic fairy tales, children?s stories, and the work of some of the most celebrated artists, illustrators and authors.
Picturesque Pala – the Story of the Mission Chapel of San Antonio De Padua Connected With Mission San Luis Rey – the Original Classic Edition
Finally available, a high quality book of the original classic edition of Picturesque Pala - The Story of the Mission Chapel of San Antonio de Padua Connected with Mission San Luis Rey. It was previously published by other bona fide publishers, and is now, after many years, back in print. This is a new and freshly published edition of this culturally important work by George Wharton James, which is now, at last, again available to you. Get the PDF and EPUB NOW as well. Included in your purchase you have Picturesque Pala - The Story of the Mission Chapel of San Antonio de Padua Connected with Mission San Luis Rey in EPUB AND PDF format to read on any tablet, eReader, desktop, laptop or smartphone simultaneous - Get it NOW. Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside Picturesque Pala - The Story of the Mission Chapel of San Antonio de Padua Connected with Mission San Luis Rey: Look inside the book: While it is very possible the Mission of San Juan Capistrano?the next one further north?was 12 the most imposing, architecturally, of all the California Missions in its prime, it was not allowed to stand long enough for us to know its glory, the earthquake of 1812 destroying its tower, after which time it remained in ruins. ...Was Peyri, here, the inspired genius, fired with the sublime audacity that creates new and startling revelations of beauty for the delight and elevation of the world, or was he but the humble, though discerning, man of simple naturalness who did not know enough to realize he was doing what had never been done before, and thus, through his very simplicity and naturalness, stumbling upon the daring, the unique, the individualistic and at the same time, the beautiful, the artistic, the competent?
Riders to the Sea: A Play in One Act
Riders to the Sea. A Play in One Act. By J. M. Synge. Riders to the Sea is a play written by Irish playwright John Millington Synge. It was first performed on February 25, 1904 at the Molesworth Hall, Dublin by the Irish National Theater Society. A one-act tragedy, the play is set in the Aran Islands, and like all of Synge's plays it is noted for capturing the poetic dialogue of rural Ireland. The very simple plot is based not on the traditional conflict of human wills but on the hopeless struggle of a people against the impersonal but relentless cruelty of the sea. It must have been on Synge's second visit to the Aran Islands that he had the experience out of which was wrought what many believe to be his greatest play. The scene of "Riders to the Sea" is laid in a cottage on Inishmaan, the middle and most interesting island of the Aran group. While Synge was on Inishmaan, the story came to him of a man whose body had been washed up on the far away coast of Donegal, and who, by reason of certain peculiarities of dress, was suspected to be from the island. In due course, he was recognised as a native of Inishmaan, in exactly the manner described in the play, and perhaps one of the most poignantly vivid passages in Synge's book on "The Aran Islands" relates the incident of his burial. The other element in the story which Synge introduces into the play is equally true. Many tales of "second sight" are to be heard among Celtic races. In fact, they are so common as to arouse little or no wonder in the minds of the people. It is just such a tale, which there seems no valid reason for doubting, that Synge heard, and that gave the title, "Riders to the Sea", to his play. It is the dramatist's high distinction that he has simply taken the materials which lay ready to his hand, and by the power of sympathy woven them, with little modification, into a tragedy which, for dramatic irony and noble pity, has no equal among its contemporaries. Great tragedy, it is frequently claimed with some show of justice, has perforce departed with the advance of modern life and its complicated tangle of interests and creature comforts. A highly developed civilisation, with its attendant specialisation of culture, tends ever to lose sight of those elemental forces, those primal emotions, naked to wind and sky, which are the stuff from which great drama is wrought by the artist, but which, as it would seem, are rapidly departing from us. It is only in the far places, where solitary communion may be had with the elements, that this dynamic life is still to be found continuously, and it is accordingly thither that the dramatist, who would deal with spiritual life disengaged from the environment of an intellectual maze, must go for that experience which will beget in him inspiration for his art. The Aran Islands from which Synge gained his inspiration are rapidly losing that sense of isolation and self-dependence, which has hitherto been their rare distinction, and which furnished the motivation for Synge's masterpiece. Whether or not Synge finds a successor, it is none the less true that in English dramatic literature "Riders to the Sea" has an historic value which it would be difficult to over-estimate in its accomplishment and its possibilities. A writer in The Manchester Guardian shortly after Synge's death phrased it rightly when he wrote that it is "the tragic masterpiece of our language in our time; wherever it has been played in Europe from Galway to Prague, it has made the word tragedy mean something more profoundly stirring and cleansing to the spirit than it did."
Tales From the Lands of Nuts and Grapes
The Bark Canoes and Skin Boats of North America
The bark canoes of the North American Indians, particularly those of birchbark, were among the most highly developed manually propelled primitive watercraft. They could be used to carry heavy loads in shallow streams but were light enough to be hauled long distances over land. Built with Stone Age tools from available materials, their design, size, and appearance were varied to suit the many requirements of their users. Upon arrival in North America, European settlers began using the native-made craft for traveling through the wilderness. Even today, canoes are based on these ancient designs. This fascinating guide combines historical background with instructions for constructing one. Author Edwin Tappan Adney, born in 1868, devoted his life to studying canoes and was practically the sole scholar in his field. His papers and research have been assembled by a curator at the Smithsonian Institution, and illustrated with black-and-white line drawings, diagrams, and photos.Included here are measurements, detailed drawings, construction methods, and models. The book covers canoes from Newfoundland to the Pacific Ocean, as well as umiaks and kayaks from the Arctic.
The Story of Beowulf: Translated From Anglo-Saxon Into Modern English Prose
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.