Vinobanchi Vachane
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American Indian Fairy Tales
Byways in British Archaeology
Originally published in 1912, this volume provides a detailed and enthusiastically written history of Britain's churches and their churchyards. With particular emphasis on the concept of 'folk memory', a diminishing means of recalling and understanding the past, Johnson's study looks at material archaeological discoveries whilst also addressing the significance of place names, site orientation, folktales and pagan prehistory. In this well-illustrated and informative work, Johnson's extensive research navigates the complexities of Britain's religious past, producing a series of fascinating interrelated arguments. Johnson addresses numerous topics, including the construction of churches on pagan sites, the churchyard yew and the survival of past rituals within burial customs. This book provides a detailed and far-reaching investigation of the archaeology and architecture of hundreds of churches across England and Wales, and will be enjoyed by anybody with an interest in British archaeology, or the histories of British churches and Christian traditions.
Chains and Freedom: Or, the Life and Adventures of Peter Wheeler, a Colored Man Yet Living. A Slave in Chains, a Sailor on the Deep, and a Sinner at the Cross
LARGE PRINT EDITION THE following Narrative was taken entirely from the lips of Peter Wheeler. I have in all instances given his own language, and faithfully recorded his story as he told it, without any change whatever. There are many astonishing facts related in this book, and before the reader finishes it, he will at least feel that "Truth is stranger than fiction." But the truth of everything here stated can be relied on. The subject of this story is well known to the author, who for a long time brake unto him "the bread of life," as a brother in Christ, and beloved for the Redeemer's sake. There are, likewise, hundreds of living witnesses, who have for many years been acquainted with the man, and aware of the incidents here recorded, who cherish perfect confidence in his veracity. He has many times, for many years, related the same facts, to many persons, in the same language verbatim; and individuals to whom the author has read some of the following incidents, have recognized the story and language, as they heard them from the hero's lips long before the author ever heard his name. There are also persons yet living, whom I have seen and known, who witnessed many of Peter's most awful sufferings. Of course, the book lays no claim to the merit of literature, and will not be reviewed as such; but it does claim the merit of strict veity, which is no mean characteristic in a book, in these days. The subject, and the author, have but one object in view in bringing the book before the public: ,a mutual desire to contribute as far as they can, to the freedom of enchained millions for whom Christ died. And if any heart may be made to feel one emotion of benevolence, and lift up a more earnest cry to God for the suffering slave; if one generous impulse may be awakened in a slaveholder's bosom towards his fellow traveller to God's bar, whose crime is, in being "born with a skin not coloured like his own;" and if it may inspire in the youthful mind, the spirit of that sweet verse, consecrated by the hallowed associations of a New-England home, "I was not born a little slave To labour in the sun, And wish I were but in my grave, And all my labor done." it will not be in vain. That it may hasten that glorious consummation which we know is fast approaching, when slavery shall be known only in the story of past time, is the earnest prayer of the
Four and Twenty Fairy Tales, Selected From Those of Perrault, and Other Popular Writers – Illustrated by Godwin, Corbould, and Harvey
Four and Twenty Fairy Tales is a collection of stories, selected from the writings of Perrault, Leprince de Beaumont, Madame de Villeneuve among other important French fairy tale writers, and translated by J. R. Planch? (1796 ? 1880). The text is accompanied by the beautiful illustrations of James Godwin, Edward Corbould and William Harvey. Perrault (1628 ? 1703) was among the first writers to bring magical children?s stories into the literary mainstream, proving to their original seventeenth century readers that such works were important, enjoyable, as well as thought-provoking. The stories of Four and Twenty Fairy Tales encompass favourites such as ?Blue Beard?, ?Sleeping Beauty?, ?Puss in Boots?, 'Beauty and the Beast' and ?Cinderella? as well as other, near-forgotten tales such as ?Fairer than a Fairy?, ?The Impossible Enchantment? and ?The Widow and her Two Daughters.? Planch? himself was a British dramatist and antiquary, chiefly responsible for introducing historically accurate costume into nineteenth century British theatre. His interest in folklore stemmed from such endeavours ? and his passion for the tales as well as mastery of the French language is apparent in this text. The book contains a selection of black-and-white illustrations by Edward Corbould, James Godwin, William Harvey and others, all engraved by the famous Dalziel Brothers which further serve to refine and enhance the tales. Pook Press celebrates the great ?Golden Age of Illustration? in children?s literature ? a period of unparalleled excellence in book illustration from the 1880s to the 1930s. Our collection showcases classic fairy tales, children?s stories, and the work of some of the most celebrated artists, illustrators and authors.
Golden Helm and Other Verse – the Original Classic Edition, The
Finally available, a high quality book of the original classic edition of The Golden Helm and Other Verse. It was previously published by other bona fide publishers, and is now, after many years, back in print. This is a new and freshly published edition of this culturally important work by Wilfrid Wilson Gibson, which is now, at last, again available to you. Get the PDF and EPUB NOW as well. Included in your purchase you have The Golden Helm and Other Verse in EPUB AND PDF format to read on any tablet, eReader, desktop, laptop or smartphone simultaneous - Get it NOW. Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside The Golden Helm and Other Verse: Look inside the book: Smith, Elder, & Co., for permission to reprint 'The King's Death,' 'The Three Kings,' and the first part of 'Averlaine and Arkeld,' from The Cornhill Magazine; to the editor of Macmillan's Magazine for leave to reprint 'In the Valley'; to the editor of The Saturday Review for leave to reprint 'Notre Dame de la Belle-Verri?re'; and to the editors of The Pilot, The Outlook, The Pall Mall Gazette, Country Life, The Week's Survey, and The Broadsheet, for like courtesy with regard to a number of 'The Songs of Queen Averlaine.' ...Yet shall a slave's hand strike cold death in him About Wilfrid Wilson Gibson, the Author: It was in London that he met both Edward Marsh and Rupert Brooke, becoming a close friend and later Brooke's literary executor (with Lascelles Abercrombie and Walter de la Mare). ...^ Gibson met de la Mare, and quite a number of other poets, through Marsh (Theresa Whistler, Imagination of the Heart: The Life of Walter de la Mare (1993), p.205 and 208) in 1912.
In This Our World
This book contains Charlotte Perkins Gilman's first collection of poetry, coupled with almost eighty previously uncollected pieces. A wonderful compendium that is sure to be of interest to keen lovers of poetry, 'In This Our World' is a great example of Gilman's unique style and unrelenting passion for her subject matter. A book worthy of a place atop any bookshelf, this text constitutes a veritable must-have for fans and collectors of Gilman's prolific work. The poems contained herein include: 'Birth', 'Nature's Answer', 'The Commonplace',' A Common Inference', 'The Rock and the Sea', 'The Lion Path', 'Reinforcements', 'Heroism', 'Fire with Fire', 'The Shield', and many, many more. Charlotte Perkins Gilman (1860 - 1935) was an influential American sociologist, feminist, academic-lecturer, novelist and poet. We are proud to republish this antique book, complete with a new biography of the author.
Maria or the Wrongs of Woman
Novel by the pioneering champion of women's rights (and the mother of Mary Shelley, author of Frankenstein). According to Wikipedia: "Maria: or, The Wrongs of Woman is the 18th century British feminist Mary Wollstonecraft's unfinished novelistic sequel to her revolutionary political treatise A Vindication of the Rights of Woman (1792). The Wrongs of Woman was published posthumously in 1798 by her husband, William Godwin, and is often considered her most radical feminist work. Wollstonecraft's philosophical and gothicpatriarchal institution of marriage in eighteenth-century Britain and the legal system that protected it. However, the heroine's inability to relinquish her romantic fantasies also reveals women's collusion in their oppression through false and damaging sentimentalism. The novel pioneered the celebration of female sexuality and cross-class identification between women. Such themes, coupled with the publication of Godwin's scandalous Memoirs of Wollstonecraft's life, made the novel unpopular at the time it was published.Twentieth-century feminist critics embraced the work, integrating it into the history of the novel and feminist discourse. It is most often viewed as a fictionalized popularization of the Rights of Woman, as an extension of Wollstonecraft's feminist arguments in Rights of Woman, and as autobiographical." novel revolves around the story of a woman imprisoned in an insane asylum by her husband. It focuses on the societal rather than the individual "wrongs of woman" and criticizes what Wollstonecraft viewed as autobiographical."
Picturesque Pala – the Story of the Mission Chapel of San Antonio De Padua Connected With Mission San Luis Rey – the Original Classic Edition
Finally available, a high quality book of the original classic edition of Picturesque Pala - The Story of the Mission Chapel of San Antonio de Padua Connected with Mission San Luis Rey. It was previously published by other bona fide publishers, and is now, after many years, back in print. This is a new and freshly published edition of this culturally important work by George Wharton James, which is now, at last, again available to you. Get the PDF and EPUB NOW as well. Included in your purchase you have Picturesque Pala - The Story of the Mission Chapel of San Antonio de Padua Connected with Mission San Luis Rey in EPUB AND PDF format to read on any tablet, eReader, desktop, laptop or smartphone simultaneous - Get it NOW. Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside Picturesque Pala - The Story of the Mission Chapel of San Antonio de Padua Connected with Mission San Luis Rey: Look inside the book: While it is very possible the Mission of San Juan Capistrano?the next one further north?was 12 the most imposing, architecturally, of all the California Missions in its prime, it was not allowed to stand long enough for us to know its glory, the earthquake of 1812 destroying its tower, after which time it remained in ruins. ...Was Peyri, here, the inspired genius, fired with the sublime audacity that creates new and startling revelations of beauty for the delight and elevation of the world, or was he but the humble, though discerning, man of simple naturalness who did not know enough to realize he was doing what had never been done before, and thus, through his very simplicity and naturalness, stumbling upon the daring, the unique, the individualistic and at the same time, the beautiful, the artistic, the competent?
Riders to the Sea: A Play in One Act
Riders to the Sea. A Play in One Act. By J. M. Synge. Riders to the Sea is a play written by Irish playwright John Millington Synge. It was first performed on February 25, 1904 at the Molesworth Hall, Dublin by the Irish National Theater Society. A one-act tragedy, the play is set in the Aran Islands, and like all of Synge's plays it is noted for capturing the poetic dialogue of rural Ireland. The very simple plot is based not on the traditional conflict of human wills but on the hopeless struggle of a people against the impersonal but relentless cruelty of the sea. It must have been on Synge's second visit to the Aran Islands that he had the experience out of which was wrought what many believe to be his greatest play. The scene of "Riders to the Sea" is laid in a cottage on Inishmaan, the middle and most interesting island of the Aran group. While Synge was on Inishmaan, the story came to him of a man whose body had been washed up on the far away coast of Donegal, and who, by reason of certain peculiarities of dress, was suspected to be from the island. In due course, he was recognised as a native of Inishmaan, in exactly the manner described in the play, and perhaps one of the most poignantly vivid passages in Synge's book on "The Aran Islands" relates the incident of his burial. The other element in the story which Synge introduces into the play is equally true. Many tales of "second sight" are to be heard among Celtic races. In fact, they are so common as to arouse little or no wonder in the minds of the people. It is just such a tale, which there seems no valid reason for doubting, that Synge heard, and that gave the title, "Riders to the Sea", to his play. It is the dramatist's high distinction that he has simply taken the materials which lay ready to his hand, and by the power of sympathy woven them, with little modification, into a tragedy which, for dramatic irony and noble pity, has no equal among its contemporaries. Great tragedy, it is frequently claimed with some show of justice, has perforce departed with the advance of modern life and its complicated tangle of interests and creature comforts. A highly developed civilisation, with its attendant specialisation of culture, tends ever to lose sight of those elemental forces, those primal emotions, naked to wind and sky, which are the stuff from which great drama is wrought by the artist, but which, as it would seem, are rapidly departing from us. It is only in the far places, where solitary communion may be had with the elements, that this dynamic life is still to be found continuously, and it is accordingly thither that the dramatist, who would deal with spiritual life disengaged from the environment of an intellectual maze, must go for that experience which will beget in him inspiration for his art. The Aran Islands from which Synge gained his inspiration are rapidly losing that sense of isolation and self-dependence, which has hitherto been their rare distinction, and which furnished the motivation for Synge's masterpiece. Whether or not Synge finds a successor, it is none the less true that in English dramatic literature "Riders to the Sea" has an historic value which it would be difficult to over-estimate in its accomplishment and its possibilities. A writer in The Manchester Guardian shortly after Synge's death phrased it rightly when he wrote that it is "the tragic masterpiece of our language in our time; wherever it has been played in Europe from Galway to Prague, it has made the word tragedy mean something more profoundly stirring and cleansing to the spirit than it did."
The Red Fairy Book – the Original Classic Edition
The Red Fairy Book by Andrew Lang - The Original Classic Edition Finally available, a high quality book of the original classic edition. This is a new and freshly published edition of this culturally important work, which is now, at last, again available to you. Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside: It was well known for full twenty miles round that there lived in the castle of Beloeil twelve princesses of wonderful beauty, and as proud as they were beautiful, and who were besides so very sensitive and of such truly royal blood, that they would have felt at once the presence of a pea in their beds, even if the mattresses had been laid over it....ONCE upon a time there lived a King and Queen whose children had all died, first one and then another, until at last only one little daughter remained, and the Queen was at her wits end to know where to find a really good nurse who would take care of her, and bring her up. ...So all the counsellors were summoned to the palace, and when they had shut every door and window, and stuffed up every keyhole that they might not be overheard, they talked the affair over, and decided that every fairy for a thousand leagues round should be invited to the christening of the Princess, and that the time of the ceremony should be kept a profound secret, in case the Fairy Carabosse should take it into her head to attend it....The Princess and Fanfaronade on landing upon the island had given the boatman a hundred gold pieces, and made him promise solemnly to tell no one where he had taken them; but the first thing that happened was that, as he rowed away, he got into the midst of the fleet, and before he could escape the Admiral had seen him and sent a boat after him....So when the soldiers landed they could see nothing, but the Princess touched them one after another with the dagger, and they fell insensible upon the sand, so that at last the Admiral, seeing that there was some enchantment, hastily gave orders for a retreat to be sounded, and got his men back into their boats in great confusion.
Weeds
First published in 1923, Weeds is a classic of American naturalism with a profoundly feminist turn-pioneer in a tradition of rural, working-class women's writing that includes such works as Harriet Arnow's The Dollmaker, Tillie Olsen's Yonnondio, and Jane Smiley's A Thousand Acres. Set amidst the harsh life of rural Kentucky tenant farmers, Weeds is the moving story of a hard-working, spirited young woman who must painfully submit to the limitations imposed by her time, her class, and her gender. Coming of age in Scott County, Kentucky, Judith Pippinger is intelligent, sensitive, and full of untamed energy. She falls in love first with the natural world around her, and then with a decent and loving man, Jerry Blackford. Judith and Jerry marry and work side-by-side in the tobacco fields; they are poor share croppers, but they hope each year will bring them a richer harvest. But Judith soon finds herself in a deep, soul-destroying stuggle against the imprisoning duties of motherhood and of managing an impoverished household. As crops fail and her marriage falters, Judith yields at last. She resolves to bring up her children without hope that her life might be different; but as one of her daughters lies near death, she summons her last vestiges of strength and wills the child to survive. In the tragic world of this powerful novel, both Judy and Jerry become victims of circumstance. The impossible economic conditions, the gruelling toil of tenant farming, the disease and isolation-all take a crippling toll on their spirits. They survive, but they are changed-Judith even more than Jerry. Kelley's deeply nuanced portrait is particularly remarkable in depicting a woman who suffers not from a lack of love-from her husband, her children, or her community-but from an unrequited longing for self-expression and freedom. When Weeds was first published in 1923, the editors cut from the novel a chapter describing the birth of Judith's first child, deeming it too graphic for readers. This chapter has been restored to the Feminist Press edition.